Artists and promoters call for stronger community support
The music scene in Pakistan is on the rise. Events and concerts are popping up more frequently across cities in the country. However, people in this space are concerned with the entitlement of crowds who refuse to pay for tickets or find loopholes in attending these events without actually contributing to the culture.This has been a longstanding issue for artists and event management teams, especially in Lahore
“The main issue is privilege,” said Abdul Rehman, CMO of EVNTM, a local event management company, while speaking to The Express Tribune. He mentioned how people in Lahore would much rather wait till the last minute in hopes of securing a spot on the guestlist free of charge than actually paying for tickets. “This mindset is often pushed onto others as well,” he said. “People here will be apprehensive to spend that much money on something that is unrelated to food,” said Hassam Anwar, a local singer, producer and filmmaker. According to him, guestlists and “mehman nawazi”[generally referred to as hospitality, but in this case, means accomodation of friends and family] culture in Punjab contradicts the ethos of community support for local talent.
When audiences buy tickets instead of relying on guestlists, they contribute directly to covering production costs, which allows underground artists to keep performing. Abdul spoke about how local talent benefits most when people in the community treat their work as something worth paying for, rather than as a favor or a free evening out. Even small acts of support, like sharing an artist’s music or attending a low-cost gig, can help sustain a culture where creativity is valued and reinvested back into the scene.
“Community support is the backbone of the entire scene,” said Abdul. He talked about how it is crucially important for audiences to support their local artists. “You can not build a prosperous network of artists without financial support from community members, not everyone has the room to incur the losses caused by freeriders.”
Abdul proposed potential solutions to these problems. “Promoters have to take a harder stance on saying no to people, even their friends and family.” He mentioned the need to develop a system where even guest listers should be required to pay a small amount in the spirit of supporting and uplifting local artists.
In the midst of these issues, the artist’s perspective is crucial. “Sponsors usually allocate funds mainly for the headline act, while the rest of the budget is to be divided within the other artists,” said Hassam. In the process, stage and artist curation is suppressed. “Sometimes agencies will randomly group a bunch of artists together, get some big speakers and call it an event,” he said. He described how this type of workflow can be directionless and prevents audience cross pollination, new lineups and fresh experiences, all of which are crucial for the growth of the scene.
The sentiments echoed by figures in the industry are simple. Audiences should buy tickets and support local artists in whichever way they can. More attention and effort should be allocated to curating interesting lineups, stage designs and underground artists. According to Abdul, “This is the only way our music industry will flourish.”
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